{"id":412,"date":"2018-05-11T02:18:35","date_gmt":"2018-05-11T02:18:35","guid":{"rendered":"http:\/\/matiasgatti.com\/?p=412"},"modified":"2025-12-11T13:41:46","modified_gmt":"2025-12-11T16:41:46","slug":"acordes-comos-se-construyen","status":"publish","type":"post","link":"https:\/\/matiasgatti.com\/en\/acordes-comos-se-construyen\/","title":{"rendered":"Acordes (Parte 1) \u00bfC\u00f3mo se construyen?"},"content":{"rendered":"

\u00bfC\u00f3mo se construye un acorde?<\/b><\/h2>\n\n\n\n

Como punto de partida tengamos en cuenta que un acorde es un conjunto de 3 o m\u00e1s notas que suenan en simult\u00e1neo<\/strong>. La pregunta es \u00bfQu\u00e9 criterio tenemos para agrupar est\u00e1s notas?<\/b><\/p>\n\n\n\n

Para construir un acorde partiremos de alguna escala.<\/b> Si usamos la escala de <\/span>Do Mayor<\/b>, el mecanismo para encontrar  los acordes que nos ofrece esa escala ser\u00e1 <\/span>agrupar notas por terceras<\/b>.<\/span><\/p>\n\n\n\n

\u00bfQu\u00e9 quiere decir esto?<\/b> Si tomamos como partida la nota <\/span>Do, <\/b>la primer tercera ser\u00e1 <\/span>Mi<\/b> y la pr\u00f3xima tercera (desde Mi) ser\u00e1 <\/span>Sol<\/b>. Con esas tres notas tenemos nuestro primer acorde formado por las notas \u201c<\/span>Do, Mi y Sol\u201d<\/b>. Este acorde se llama <\/span>Do Mayor<\/b>.<\/span><\/p>\n\n\n\n

 <\/p>\n\n\n\n

\"Escala
Escala de Do Mayor<\/figcaption><\/figure>\n\n\n\n
\"terceras
Terceras desde Do<\/figcaption><\/figure>\n\n\n\n
\"Acorde
Acorde<\/figcaption><\/figure>\n\n\n\n

Tres notas <\/strong>son lo m\u00ednimo<\/strong> necesario para que hablemos de acorde. Si solo us\u00e1ramos la primer tercera estar\u00edamos hablando de un <\/span>intervalo de tercera<\/b> y no de un acorde. En cambio al tener tres notas<\/span> hablamos de <\/span>acordes.<\/b><\/p>\n\n\n\n

Lo mismo que hicimos con Do podemos hacer, por ejemplo, desde la nota Re.<\/span><\/p>\n\n\n\n

\"Terceras
Terceras partiendo desde Re<\/figcaption><\/figure>\n\n\n\n
\"Acorde
Acorde<\/figcaption><\/figure>\n\n\n\n

Estas tres notas seleccionadas \u201c<\/span>Re, Fa y La\u201d<\/b> generan un nuevo acorde, el acorde de <\/span>Re menor<\/b>.<\/span><\/p>\n\n\n\n

Como vemos podemos hacer este agrupamiento de notas partiendo desde cada una de las notas de una escala. Partiendo desde <\/span>Do <\/b>obtenemos el acorde formado por <\/span>Do, Mi y Sol<\/b>. Partiendo desde <\/span>Re <\/b>obtenemos el acorde formado por <\/span>Re, Fa y La<\/b>. <\/span><\/p>\n\n\n\n

Resta formar los acordes que nos brinda la escala de Do Mayor. As\u00ed tendremos finalmente 7 acordes posibles.<\/span><\/p>\n\n\n\n

\"Acordes
Acordes que se forman con la escala de Do Mayor<\/figcaption><\/figure>\n\n\n\n


ACORDES EN LA GUITARRA<\/b><\/h2>\n\n\n\n

Ahora bien, <\/span>\u00bfc\u00f3mo funciona esto en la guitarra?<\/b>.<\/span><\/p>\n\n\n\n

Usemos de ejemplo el acorde de <\/span>Do Mayor<\/b> que vimos. <\/span>Supongamos que queremos tocar los acordes de una canci\u00f3n. Lo primero que haremos es aprender d\u00f3nde poner los dedos para tocar esos acordes.<\/span>
<\/span>Esos acordes son digitaciones que se han estandarizado porque son sencillas y funcionan muy bien.<\/span><\/p>\n\n\n\n

Cuando tocamos un acorde en la guitarra lo que estamos haciendo es que <\/b>en cada cuerda<\/b> suene <\/b>una de las notas del acorde<\/b> que surge de la escala.<\/b><\/p>\n\n\n\n

Si queremos tocar <\/span>Do Mayor<\/b> dijimos que el acorde se compone de las notas \u201c<\/span>Do, Mi y Sol\u201d<\/b>. En una t\u00edpica digitaci\u00f3n del acorde en guitarra tocaremos estas 3 notas, pero las repetiremos ya que tenemos 6 cuerdas para hacer sonar.<\/span><\/p>\n\n\n\n

\"Acorde
Acorde de Do en guitarra con nombre de las notas<\/figcaption><\/figure>\n\n\n\n

Como vemos la nota <\/span>Do<\/b> se toca en la 5ta y 2da cuerda, la nota <\/span>Mi <\/b>se toca en la 6ta, 4ta y 1er cuerda mientras que la nota <\/span>Sol <\/b>se toca en la 3er cuerda. En resumen lo que estamos tocando es <\/span>Do Mi y Sol<\/b>.<\/span>
<\/span>Lo mismo se aplica a cualquier acorde.<\/span><\/p>\n\n\n\n

Hasta aqu\u00ed vimos c\u00f3mo se forman, pero <\/span>\u00bfporqu\u00e9 se llaman Mayor, menor o disminuido?<\/b>. Esa y muchas otras preguntas las resolveremos en la continuaci\u00f3n de estas lecciones sobre acordes.<\/span><\/p>\n\n\n\n

 <\/p>","protected":false},"excerpt":{"rendered":"

\u00bfC\u00f3mo se construye un acorde? Hay much\u00edsimos acordes, los guitarristas y pianistas lo saben muy bien. En esta lecci\u00f3n nos ocuparemos de organizar y entender los acordes para que los podamos usar cuando los necesitemos y empecemos a entender c\u00f3mo funcionan.<\/p>","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[8,19,28],"class_list":["post-412","post","type-post","status-publish","format-standard","hentry","category-lenguaje-musical","tag-acordes","tag-guitarra","tag-teoria"],"yoast_head":"\nAcordes (Parte 1) \u00bfC\u00f3mo se construyen?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/matiasgatti.com\/en\/acordes-comos-se-construyen\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Acordes (Parte 1) \u00bfC\u00f3mo se construyen?\" \/>\n<meta property=\"og:description\" content=\"\u00bfC\u00f3mo se construye un acorde? Hay much\u00edsimos acordes, los guitarristas y pianistas lo saben muy bien. 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